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Ready to join the video revolution and shoot Hi-Resolution Videos with a DSLR? Here’s a look at key cameras in this fast-growing and rapidly-evolving category.

HD Video is the buzzword of the day. Nearly every DSLR introduced over the past year has it, but the image quality, resolution, compression scheme and other factors vary greatly from brand to brand, and even from camera to camera within a brand. Let’s take a look at top models as well as up-and-coming new HD-enabled cameras and see which ones make sense for you.

Before reading this article, check out Michael J. McNamara’s article, Video DSLR Basics for Photographers so you will be familiar with the terms used and to help understand the video specs provided.

Please note that in all cases the price listed with each camera is for the body only—lenses are sold separate although if you browse Adorama’s DSLR department you may find many kit options—and that the prices are approximate and accurate as of late October, 2010.

Canon EOS 5D Mark II
Around $2,500. Check for current price

The Skinny: If the Nikon D90 was the pioneer of HD Video, the Canon EOS 5D Mark II is the refinement that brought DSLR Video recognition as a serious tool for pro video production work. The first DSLR to offer full 1080p resolution, the 5DMII has been embraced by more videographers than any other DSLR. And with a 21.1MP CMOS full-frame sensor, it’s not too shabby when it comes to incredibly high-resolution still photography.

Still Skills: 21.1MP CMOS full-frame sensor, 9 user selectable AF points, plus 6 vertical and horizontal AF assist points, 3-inch LCD monitor with 920k pixel resolution, 3.9fps burst rate, Live View, Face Detection AF, 35-zone TTL metering, ISO range 200-1600, expandable to 6400, shutter speed up to 1/8000 sec, X-sync 1/200 sec.

Video Specs
Video Resolution: 1920x1080 pixels
Frames per Second: 30fps
Aspect Ratio: 9:16
Video compression: Quicktime MOV
Video container: H.264
External Mic Input: Stereo external mic

Canon EOS 7D
Around $1,600. Check for current price

The Skinny: A camera designed to appeal to both professionals and serious amateurs, the 7D is a full-featured DSLR for under two grand. Full HD at 30 frames per second combined with a rugged body and super-fast frame rate make this a great sports and photojournalism camera for both still and video newsgathering.

Still Skills: 18MP APS-C CMOS sensor, ISO range 100-3200, extendable to 12,800, top shutter speed 1/8000 sec, x-sync at 1/250 sec, 63-zone TTL metering, 19-point all cross-type AF, 8fps burst rate, durable shutter, 100% viewfinder coverage, magnesium weather-resistant body.

Video Specs
Video Resolution: 1920x1080, 1280x720 pixels
Frames per Second: 30 (29.97), 24 (23.976) or 25p at 1080p, 60 (59.94), 50 fps at 720p
Aspect Ratio: 9:16
Video compression: MOV
Video container: H.264
External Mic Input: Stereo mini jack

Canon 60D
Price: Around $1,100. Check for current price

The Skinny: The big news here is manual focus control during video recording and full 1080p HD video in a camera, with a very high resolution articulating LCD making life easier for videographers. It’s a solid contender for the hearts and minds of photo enthusiasts looking to add motion.

Still Skills: 18MP APS CMOS sensor, ISO range 100-6400, expandable to 12,800, 5.3fps, 1.040k dot monitor, 62-zone metering, 9-point AF system, SD card, top shutter speed 1/8000 sec, X-sync 1/250 sec,

Video Specs
Video Resolution: 1920x1080 pixels, 1280x720 pixels
Frames per Second: 30, 25 and 24 fps at 1080p, 50 and 60fps in 720p
Aspect Ratio: 9:16
Video compression: MOV
Video container? H.264
External Mic Input Yes, stereo

Canon T2i
Price around $720. Check for current price

The Skinny: In his review of the T2i, Jason Schneider said it is “a transformational camera that provides a level of performance and sophistication that is astounding for a consumer DSLR.” The first in its price level to offer 1080p video resolution, the camera is also a great performer in low light in both still and video.

Still Skills: 18MP CMOS APS sensor, 3.7fps burst rate, 63-zone metering system, 9-poit AF, live view, ISO range 100-6400, 3-inch 1.04 million dot resolution LCD, top shutter speed 1/4000 sec, X-sync 1/200 sec.

Video Specs
Video Resolution: 1920x1080 pixels, 1280x720 pixels
Frames per Second: 30, 25 and 24 fps at 1080p, 50 and 60fps in 720p
Aspect Ratio: 9:16
Video compression: MOV
Video container: H.264
External Mic Input: Yes, Stereo

Nikon D7000
Price: Around $1,200 Check for current price

The Skinny: With the introduction of the D7000, Nikon has shown that it is getting even more serious about video. The first Nikon with full 1080p movie capture and a more generous 20 minute continuous shot limit, the D7000 offers a solid feature set for both video and still photography and although it’s priced for enthusiasts, we can expect some pros will employ it as a main video camera and backup still body.

Still Skills: 16.2MP APS-sized CMOS sensor, ISO range 100-6400, expandable to 25,600, 2,016-pixel RGB matrix sensor, customizable 39-point AF system, bright glass pentaprism finder with 100% frame coverage, twin SD card slots, 3-inch, 921k dot LCD monitor, fully compatible with Nikon i-TTL wireless flash system, D-lighting.

Video Specs
Video Resolution: 1,920x1080, 1,280x720
Frames per Second: 24 fps at 1080p, 24 or 30fps at 720p
Aspect Ratio: 9:16
Video compression: MPEG-4
Video container: MOV, H.264
External Mic Input: Stereo Mic Jack

Nikon D3s
Price: Around $5,200. Check for current price

The Skinny: A full-frame pro camera, the D3s is capable of shooting up to ISO 102,400 (no, that’s not a misprint and yes, you can shoot videos at that ISO), and is designed for sports photography and photojournalism. Because of its larger sensor, expect even higher image quality at all ISOs and uncompromising quality. At its heart, this ruggedized pro tool is a still camera. Its video feature, because of its 5-minute recording limit at full resolution, should be considered a bonus.

Still Skills: Rated by DxOMark as one of the best high-ISO low light performers, the D3s has a 12MP full-frame sensor, burst mode to 9FPS, thethered shooting possible, 51-point AF system, 1,005-pixel 3D Color Matrix Metering II, scene recognition, dual CF card slots, horizon indicator, fastest shutter speed 1/8000 sec, 1/250 sec x-sync, 4,200 still images per battery charge.

Video Specs
Video Resolution 1,280x720 pixels
Frames per Second 24 fps
Aspect Ratio 9:16
Video compression Motion JPEG - 4
Video container MP42
External Mic Input: Yes, stereo

Nikon D90
Price: Around $850. Check for current price

The Skinny: This is where the HD Video DSLR revolution began and even though it’s been around for over two years and is being phased out, the D90’s low cost makes it easy to get started while giving users entrée into the vast world of Nikon lenses. 5-minute limit on video clip length might limit some users.

Still Skills: 12MP APS-sized CMOS sensor, 4.5 fps burst rate, ISO range 200-3200, 3-inch 920k LCD monitor, 11-point AF, live-view, 3D Color Matrix Metering II with scene recognition, in-camera image editing, geo-tagging unit available. Shutter speeds up to 1/4000 sec.

Video Specs
Video Resolution: 1280x720 pixels
Frames per Second: 24 fps
Aspect Ratio: 9:16
Video compression: Motion JPEG,
Video container: AVIExternal Mic Input: No; internal mono mic

Olympus E-5Price: Approximately $1,700 Check for current price

The Skinny: The only high-end DSLR built around the 17.3x13mm APS sensor, the 12MP E-5 is a rugged camera designed for heavy-duty pro use. Successor to the popular E-3, the E-5 adds creative "Art Filters" so you can apply special effects in camera. A durable shutter, high-resolution flip-out LCD monitor, digital leveler, wireless flash control system, multiple exposure, a field-tested dust reduction system, in-camera image-stabilization, and what Olympus claims is the world's fastest autofocus complete the picture.

Still Skills: Thixomold magnesium-alloy construction, splash and dust protection, shutter mechanism tested to 150,000 cycles, image stabilization claimed to compensate up to 5 shutter speeds, 100% high-eyepoint optical viewfinder and pentaprism, 3-inch, 920k dot swivel LCD, CF and SD card ports, 11-point fully twin cross AF system, 10 built-in Art Filters, multiple aspect ratios, wireless control with FL-36R and FL-50R flash units. IS range 200-6400, EV compensation + or - 5 stops, shutter speeds 60-1/8000 sec, 5 fps burst rate.

Video Specs
Video Resolution: 1280x720p
Frames per Second: 30 fps
Aspect Ratio: 9:16, 4:3
Video compression: M-JPEG, 1/12 (HD); Max. recording time 7 min
Video container: AVI
External Mic Input: Stereo mic available

Pentax K-7
Price: Around $900. Check for current price

The Skinny: Rugged, compact and now incredibly affordable, the Pentax K-7 has a 14.6MP CMOS sensor, is sealed against harsh weather, and offers aspiring videographers an inexpensive way to do serious videos. The main difference between this camera and its pricier successor the K-5 is that the K-5’s sensor is said to produce less grain and has a higher top ISO.

Still Skills: 11-point AF, ISO up to 3200, shake reduction, usable in temps down to 14 degrees F, 5.2fps burst rate, 77-segment metering, pentaprism finder with 100% field of view, shutter speed to 1/8000 sec, improved in-camera HDR.

Video Specs
Video Resolution: 920x1080, 1280x720
Frames per Second: 25fps at 1080p, 30 or 25fps at 720p
Aspect Ratio: 3:2
Video compression: Motion JPEG
Video container: AVI
External Mic Input: 3.5mm Stereo Microphone Jack

Pentax K-5
Price: around $1,600. Check for current price

The Skinny: The successor to the wildly popular K-7, this is a lightweight, ruggedized camera with a 16MP APS-C sensor, a 3-inch, 921k pixel resolution finder, built-in shake reduction, HDR and lots of features found on cameras costing considerably more.

Still Skills: 11-point AF, ISO up to 51,200, shake reduction claimed to shoot at 2.5-4 shutter speeds slower, claimed improved digital noise, usable in temps down to 14 degrees F, 7fps burst rate, 77-segment metering, pentaprism finder with 100% field of view, shutter speed to 1/8000 sec, improved in-camera HDR, in-camera special effects, customizable RAW capture.

Video Specs
Video Resolution:920x1080, 1280x720
Frames per Second: 25fps at 1080p, 30 or 25fps at 720p
Aspect Ratio: 9:16
Video compression: Motion JPEG
Video container: AVI
External Mic Input: 3.5mm Stereo Microphone Jack

Sony a560
Price: Approx. $650. Check current pricing.

The Skinny: A low-priced mid-range DSLR, the Sony A560 has a 14.2MP APS-C sensor, and a tiltable 3-inch LCD monitor with 921.6K resolution. Offers AF during live view, AF during video, ISO to 12800, built-in image stabilization.

Still Skills: Built-in HDR, 3D panorama, high ISO boost to 12,800 and native ISO range 200-1600, 7fps burst rate, 15-point AF sensor, eye-start AF, face detection, smile detection.

Video Specs
Video Resolution: 1920x1080 pixels
Frames per Second: 60i (59..94i Interlace, 29.97 progressive)
Aspect Ratio: 16:9
Video compression: MPEG-4 AVC (H264)
Video container: AVCHD
External Mic Input: No

source:thefilmstage.com

Warning: This review contains spoilers.

Toy Story 3 is like the end of a 15-year relationship. It’s a good friend you know the ins-and-outs of, and, just like that, he’s gone. It’s extremely ironic considering the film itself is all about morality. Every Toy Story stands for major obstacles in life as experienced through the eyes of a young boy’s (then young man’s) toys. This new and final chapter is no different. It’s a beautiful farewell.

This time around, Andy ain’t no kid. He’s going to college and leaving most of his toys behind– admittedly, it’s a bit funny even at his age that he’s still got these old toys in his room, begging the question: did this kid really play with these toys when he was in high school? But that’s another topic all together. So, with Andy off to school it’s time for his toys to go. In the middle of taking them up to the attic for safe keeping, his mother mistakenly throws the bag in the trash.

Being the feisty toys that they are, the gang, still led by Woody (Tom Hanks) and Buzz (Tim Allen), don’t end up in a random field of trash somewhere. Instead, they go somewhere far worse: day care. At first, everything seems great. They’re told they’ll be played with and loved again, but it all goes wrong when they realize they’re dealing with little toddlers from hell.

Woody escapes the day care to return to Andy, who’s decided to take Woody, and only Woody, to college. However, once he hears about the predicament the rest of the gang’s in, he’s forced choose himself or his friends. Of course, we know what decision he makes.

Plenty of new characters are introduced along the way and they’re just as great and as engaging as the main ensemble. Most notably Ken (terrificly voiced by Michael Keaton) and the slimy-but-understandable villain Lotso (Ned Beatty)

The story is more a less Prison Break, with toys. It’s an escape film and most likely one of the best escape films you’ll ever see. It’s still all the characters we’ve come to love and they’re still more-or-less the same. They’re smart and, most importantly, a team of friends.

They couldn’t have been introduced this time around in a better way either. It starts off with a rather hilarious story like the past films. It’s Andy telling a story with the toys except shown as if it’s actually happening instead of him just banging action figure together clumsily – it’s extremely imaginative, as to be expected from Pixar. The film kicks off quick and never stops running. It wouldn’t be an understatement to say that no other film this summer will match the breakneck pacing found here. There’s never a dull moment, nor does it rush through plot points.

There’s a particular scene in the third act that deals with a trash incinerator that’s both heartbreaking and heartwarming at the same time. It’s a moment that puts the gang into near death and you really feel it. Yes, it’s a Pixar film and you know going in that none of them will destroyed or terribly harmed, but at this particular moment it takes you out of your element and it comes off as genuine danger. They do all that they can: stand by each other and hold onto one another. The moment they all grab hands puts the icing on the cake a.k.a. you cry like a baby if you’ve got any feelings in your body at all. They raise the stakes this time around and it’s for the better.

The biggest theme is how time passes and eventually we all face the end. And so do the ones we love. It’s very adult for an animated “kids” film, but it’s what to expect from Pixar. For anyone over eight and grasps the concept of death, the third act will hit like a ton of bricks. it’ll hit you like a ton of bricks. All the moments of danger – such as the garbage incinerator sequence- make the nostalgic ending all the more beautiful. You couldn’t ask for a better ending.

Being a Pixar film, it’s as visually impressive as one would expect. Everything is wonderfully textured, nearly every shot pops and the 3D, never constrained by dimness. Similar to the film itself, it’s of great quality.

9 out of 10

What did you think of Toy Story 3?